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Dance Film Tips from Our Workshop!
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Highlights from Our Dance Film Workshop

“Thank you for a beautiful workshop!  Thank you for being so supportive to the dance / film community and creating such beautiful opportunities and learning experiences.” -Transparency Workshop Participant


Last month we were joined by 30+ dance filmmakers in a virtual workshop exploring the craft and criteria behind good dance films, led by Kelly Hargraves.


Some highlights:


The camera is a dance partner. Kelly emphasized that dance film isn’t just filming choreography—it’s about creating a duet between the dancer and the lens. Camera movement helps shape meaning, guide attention, and build emotion.


Keep it moving. Avoid static shots or fixed tripods. Whether it’s the dancer or the camera, something should always be in motion to keep the energy alive and the viewer engaged.


Film for the frame, not the studio. Kelly discouraged classroom-style filming (wide shots of everyone doing the same thing) or mid shots only framing head and arms. Instead, she encouraged filmmakers to play with scale, angles, and spontaneous moments that feel alive and intimate.


Sound matters. Natural sound (or “diegetic” audio) often creates more impact than a song layered over footage. Lyrics can distract—keep it simple, and think about mood and environment.


Editing is emotional. Good editing shapes rhythm and energy. Cut on movement, build tension and release, and don’t be afraid to cut beautiful moments if they don’t serve the film as a whole.


DIY is welcome. Kelly reminded us that great dance films don’t require big budgets. Originality, curiosity, and collaboration matter most.


Ready to Submit Your Film to DCW2026?

Submit your film today and save!


Use code Sunset25 for 25% OFF - available to the first 25 filmmakers who submit by *September 1.


*The final deadline for submissions is October 1st.

Special Offers from Our Arts Partners

EXCLUSIVE OFFER: Save 30% on select tickets!


September 12-14

The Music Center’s Ahmanson Theatre


For three nights only, experience I AM by Camille A. Brown & Dancers, September 12–14 at The Music Center’s Ahmanson Theatre. From the choreographer of Hell’s Kitchen and For Colored Girls, this West Coast premiere blends bold choreography and live music in a New York Times Critics’ Pick celebrating Black joy, imagination, and community.


Use Code: “CABDCW” during checkout

30% discount valid for all performances of Camille A Brown & Dancers in sections A, B and C. Offer valid through Aug. 29, 2025 and based on availability.


Link to tickets + info: https://bit.ly/4fkik20


“Where the allusiveness of dance meets the intimacy of film to create a new kind of magic!” - The New York Times


“Impressive, playful, haunting, sophisticated, sublime, wonderful!”

- Dance Magazine


“Free-wheeling, life-affirming!”

-Los Angeles Times







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Dance Camera West · 3640 monon st #206 · Los Angeles, CA 90027 · USA

LA Times Spotlights Threat to DCW’s Efforts to Produce Dance Films in LA
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The Los Angeles Times Spotlights the

Threat to DCW’s Efforts to Expand Dance Films Made in LA


“For an organization our size, you have to be so nimble,” executive director Kelly Hargraves said. “Because we’re dancers, we know how to pivot. And we have to pivot every single year based on which grant we did get and didn’t get, and change what we’re doing and not doing.”
Kelly Hargraves, Executive Director, quoted in the  Los Angeles Times, July 30, 2025


Dear Friends,


This week’s Los Angeles Times featured Dance Camera West in its coverage of the sweeping NEA funding cuts affecting L.A.’s dance scene, referencing that DCW’s $15,000 NEA grant, received for our VISIBILITY production fund to support emerging, underrepresented dance filmmakers, was terminated.


Due to the new changes in the NEA guidelines for project grants, our Visibility commissioning project no longer meets the NEA Project Grant criteria, and thus we are unable to apply to commission new works in 2026.


DCW, like most arts organizations, relies on grants for funding. Any cuts are difficult to replace.

This NEA funding is  a very vital part of DCW’s mission to Prepare; Produce: Present dance films for and by Los Angeles artists.


To continue our mission to expand and present work made by the diverse and expansive community of dance artists in Los Angeles, we will need to ask for your help.


Here’s how you can help Visibility bounce back today:


  • Become a donor– Your support will help us bridge this unexpected gap and continue creating bold new work.  $25+ makes a difference and will add you to a list of those who receive special offers throughout the year.

  • In-kind donations - do you have workshop space to offer? Time to volunteer? Please email us at info@dancecamerawest.org

  • Share the story – Forward this email or share the Los Angeles Times article with those who support dance in LA. Awareness builds advocacy and helps us find new funds for programming.

  • Speak up – Contact your local representatives and urge them to protect federal arts funding.


DCW has spent over two decades dedicated to keeping L.A. a major center of the  dance film universe. With creativity, resilience, and the support of  people like you, we will continue to present world class film to an arts community that relies on professional platforms like ours to make meaningful movement stories.


In this moment of uncertainty, we’re hoping we can call on you to support  DCW in our mission with a financial contribution.


With gratitude and determination,


Kelly Hargraves

Executive & Artistic Director

on behalf of the Board of Directors of
Dance Camera West


Full LA Times article (subscription may be required):

https://www.latimes.com/entertainment-arts/story/2025-07-30/trump-funding-cuts-arts-la-dance-nea-grants-eliminated

See What Makes Our Visibility Program So Special

In 2024 DCW produced five new films and in 2025 provided three

L.A. based artists with production completion grants.

“Where the allusiveness of dance meets the intimacy of film to create a new kind of magic!” - The New York Times


“Impressive, playful, haunting, sophisticated, sublime, wonderful!”

- Dance Magazine


“Free-wheeling, life-affirming!”

-Los Angeles Times







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Dance Camera West · 3640 monon st #206 · Los Angeles, CA 90027 · USA

Dance Camera West core programs: Prepare, Produce, Present—supporting learning, funding film production, and screening to audiences. DCW is a self-supporting nonprofit 501(c)(3) organization dedicated to introducing quality dance film from around the world and Los Angeles. Your generosity is essential to the ongoing preservation and presentation of this groundbreaking medium.

LA POPS UP, a groundbreaking new project spearheaded by Kitty McNamee (Hysterica) and Kelly Hargraves (Dance Camera West), showcasing the personal vision of over 30 of LA’s most influential choreographers.

This project highlights the extraordinary talent within Los Angeles' diverse dance community, bringing their innovative dance films to a global audience.




STAY CONNECTED WITH DCW!

STAY CONNECTED WITH DCW!

Stay connected with Dance Camera West!

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THANK YOU FOR JOINING US FOR DCW2025! 50+ Films Over 5 Days! Plus a Co-Creation Lab!

 

Congrats to our DCW2025 Award Winners

Winner - Best International Short Film

KANKANTRI

Winner - Best US Short Film

LOST MIND

Winner - Best Feature Documentary Award

LIVES BEYOND MOTION

Winner - Best Short Documentary Award

RHYTHMS OF RESILIENCE

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As part of a plan to serve the evolution of dance film, DCW pays screening fees and has created a FINISHING FUND grant to help support underrepresented artists to make new dance film work.

 
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